News


Asian Theatre Working Group Stockholm Meeting, Program

13 June, Monday

  • 9:00~10:30
  • 11:00~12:30
  • 14:00~15:30

14 June, Tuesday

  • 9:00~10:30

16 June, Thursday

  • 10:30~12:30
  • 16:00~17:30

9:00~10:30, 13 June, Monday , Contemporary Asian Puppet and Marionette theatre

Lia Wenching LIANG

Taiwan, National Tsing Hua University

“March on, join bravely”: Wang Chia-ming’s first Journey with Shakespearei’s Richard III

 

Seokhun CHOI

South Korea, Yonsei University, South Korea

Breakdance, Video, and Stage Presence: The Role of Media in the Live Performance of The Marionette, a Popular Korean B-Boy Show

 

 

11:00~12:30, 13 June, Monday, Intercultural Asian Theatre Past and Present            

Shih-Lung LO

Taiwan, Paul Valery University-Montpellier III, France

From Adrienne Lecouvreur to Yun Caixia: Adaptation of French Well-Made Play on the Modern Chinese Stage

 

Tsu-Chung SU

Taiwan, National Taiwan Normal University

Asian Theatre or Otherwise: A Revisit of Peter Brook’s The Mahabharata

 

 

14:00~15:30, 13 June, Monday, Asian Aesthetic of theatre and Performance

Yingying XIAO

Chinese, University Normal of Nanjing

Who is and where is the real subject of perceive in the aesthetic process?

 

Rora PAEK

Republic of Korea, Korean Theatre Studies Association(Seoul, Korea)

Performing the Aesthetics of Zen Buddhism: Asian Performances of ‘Non-duality(不二)

 

9:00~10:30, 14 June, Tuesday, History of Asian Theatre and Modernity            

Jonah SALZ & Rachel Payne

USA, Ryukoku university

Borders and bridges: adventures in mapping Japanese theatre history

 

Anandhakrishnan BALAKRISHNA PILLAI

India, S N School of Arts & Communication University

Nationalism, Modernity and Knowledge Production: Shaping the Terrain of Modern Theatre in Post Colonial India

 

Meewon LEE

Korea (south), Korean National University of Arts

Modernization, the pivotal turning point of Korean theatre History

 

 

10:30~12:30, 16 June, Thurday, Traditional Theatre in Asia          

Hsiao-Mei HSIEH

Taiwan, National Taiwan University

Experimental Traditional Theatre in Taiwan: The Emergence of Taiwanese New Xiqu

 

Ursula Maya TANGEBERG

Swiss,

Fictive Femininity on Stage Physical Techniques in Asian Classical Theatre and Dance Traditions

 

Hyunshik JU

South Korea, Institute of Media Arts Culture, Kyonggi University

Traditional Korean Masked Dance Drama and Historiography of Emotions

 

Tove Johanna Bjoerk

Finland, Saitama University

The Literacy of an Early Modern Kabuki Actor – Browsing the Library of Ichikawa Danjūrō II

 

 

16:00~17:30, 16 June, Thurday, Performing Asian Past and Society          

Maryam KOHANSAL

Iran, Islamic Azad University, Shiraz Branch

The role of theater in voicing Iranian history based on the analysis of Bahram Beyza’ee’s drama

 

Yasushi NAGATA

Japanese, Osaka University

Performing Asian Geographical Past: on Production of ‘Sealing Betal Palm’ by Karagumi, 1992

 

Kirstin PAUKA

German, University of Hawaii at Manoa

Contemporary Balinese =Wayang Listrik (shadow theatre) as an reinterpretation of the theatrical past: a case study of the UHM Asian Theatre Program production of “Subali-Sugriwa-Battle of the Monkey Kings”.

 

 

 

 

 

 

 

Joint Panel with Religion and Performance WG              

Kumara Swamy GADDA

Telangana Samskruthika Sarathi(TSS), India

Mythical Narratives clad in Ritual Performance, Configuring community identity: A study of Mallanna Katha(Stories) of Komuravelli in Telangana, India

 

 

Sponsored Panel, Presenting Korean Past in Post-colonial Age

Chair: Meewon LEE

 

Jung Gyung SONG

Yonsei University, South Korea

The Diasporic Trauma as a Cornerstone of Julia Cho’s The Architecture of Loss

 

Ka-eul YOO

Yonsei University, South Korea

Politics of Remembering the Dynamics of GI Towns in Korea in Ilgopzipmae

 

Sang Woo Lee, Korea University, South Korea

To Challenge the Conventions in Colonial Korea : The Case of An actress Yoon Shim-duk

 

 

Moving to General Panel                  

Chair: Yasushi NAGATA

 

Tapati GUPTA

Calcutta University, Indian

Performing Narrative: Tradition & Modernity

 

Anna THURING

University of the Arts Helsinki – Theatre Academy, Finnish

The Heroic Body of Asia: Reflections on Presenting Asian Warriors on Western Stage

 

Hayato KOSUGE,

Keio University, Japan

Staging Past Disasters with Butoh Dance: Ohno Yoshito’s “Flower and Bird/Inside and Outside” (2015)